冰与火之歌中文维基
Advertisement
Content.png
<insert name here>
这篇文章需要翻译。你可以帮助冰与火之歌中文维基来 翻译它
Klipper.png
<insert name here>,
这篇文章需要改进。你可以帮助冰与火之歌中文社区来 编辑它

情节翻译丶补充等。
将来的战争
第5季, 第1集
Game of Throne Season 5 03.jpg
上映日期 2015年4月12日
编剧 大卫·贝尼奥夫 & 丹尼尔·威斯
导演 Michael Slovis
相关剧集
上一集
"森林之子"
下一集
"黑白之院"

"将来的战争"是HBO播出的《权利的游戏》第五季中的第一集,于2015年4月12日上映。本集由大卫·贝尼奥夫D·B·韦斯编剧,由Michael Slovis导演。

本集概要

年轻的瑟曦·兰尼斯特和她谨慎的追随者梅拉雅·赫斯班缓慢地穿过西境森林,梅拉雅并不想继续前行,但年轻的瑟曦怂恿她不要停下。她们走近了森林深处属于森林女巫巫姬的小屋。瑟曦毫无畏惧地率先走了进去。瑟曦一见到女巫,便要求她预见自己的未来。尽管巫姬起初并不愿意,但在瑟曦威胁要挖出她的双眼之后,巫姬还是从命了。巫姬说她需要瑟曦的一滴血,瑟曦便拿起匕首刺破了手指。巫姬尝过瑟曦的血后,允许她提出三个问题。瑟曦首先问到她是否会嫁给王子,巫姬说她只会嫁给一个国王成为王后。然后瑟曦问到她与国王是否会有孩子,巫姬告诉她国王会有十二个孩子,而她会有三个:金子会是他们的王冠,却也同时会是他们的裹尸布(意指他们将比瑟曦更早死去)。最后巫姬断言瑟曦的统治终将结束:她会成为王后,但她命中注定被一个比她更加年轻美丽的王后夺去地位,夺去她深爱的一切。

瑟曦深深地陷入了对以前的回忆当中难以自拔。镜头一转,开头的故事只是现已成为皇太后的瑟曦对过往的回忆。在轿子中的瑟曦回忆万千,离开轿子之后身着一身黑衣走向了贝勒大圣堂,参加某人的葬礼。在圣堂的门前,瑟曦无视了大主教要求日夜兼程的领主夫人们进入圣堂,只是想单独和他(s04 e10)里领便当的泰温独处。在泰温的遗体前,瑟曦与一身白袍的詹姆进行了交谈,詹姆决定把泰温的成就最大化的保护下来,瑟曦过于意气用事,坚信提力昂必须被抓捕。

Appearances

Main: The Wars To Come/Appearances

First

Deaths

Production

Cast

Starring

Guest Starring

Uncredited

  • James Bleakney as a Baratheon soldier
  • Cillean Campbell as a Lannister bannerman
  • Frank Cannon as an Arryn bannerman
  • Mark Quigley as a Baratheon soldier
  • Michael Stuart as a Night's Watch officer
  • Christopher Kinkead as a Night's Watch Recruit

Cast notes

  • 20 of 28 cast members for the fifth season appear in this episode.
  • Starring cast members Indira Varma (Ellaria Sand), Alfie Allen (Theon Greyjoy), Maisie Williams (Arya Stark), Jerome Flynn (Bronn), Iwan Rheon (Ramsay Bolton), Michael McElhatton (Roose Bolton), Tom Wlaschiha (Jaqen H'ghar), and Iain Glen (Jorah Mormont) are not credited and do not appear in this episode.
  • This episode is the final appearance of starring cast member Charles Dance (Tywin Lannister) due to the death of his character at the end of the previous episode.
  • Michiel Huisman, Nathalie Emmanuel and Dean-Charles Chapman are all added to the main cast with their names appearing in the opening credits, starting with this episode. They all previously appeared in recurring roles, Huisman and Chapman in the fourth, and Emmanuel in the third and fourth season.
  • Nathalie Emmanuel's name in the opening credits is accompanied by a butterfly icon, a reference to Missandei's native island of Naath, which is also known as the "Isle of Butterflies."
  • Richard Bradshaw, Jonathan Cohen, Clint Elvy, Rowley Irlam, Leona McCarron, and Camilla Naprous were stunt performers in this episode.

Notes

  • Arya Stark, House Bolton, and House Martell do not appear in this episode.
    • The producers and actors have confirmed that Bran Stark and his associated characters (Hodor and Meera Reed) will not be appearing at any point in Season 5: their storyline caught up with its current point in the books, and it was at a very sensible stopping point, so they decided to simply give it a year off, to return in Season 6. Bran will be training off-screen with the Three-Eyed Raven to hone his powers.
    • House Greyjoy and its subplot from the novels have not reappeared - that is, focusing not on Theon/Reek but on Balon, Yara and the ironborn as a political faction. The producers have intimated that they had a choice between focusing on subplots from the fourth novel from either the Martells or the Greyjoys, but didn't have enough screentime to fit in both - resulting in the Greyjoy subplot being significantly condensed (and indeed, pushed back entirely to Season 6).
  • The episode title refers to Mance's words to Stannis "I wish you good fortune in the wars to come" and to Varys's words to Tyrion "I believe men of talent have a part to play in the war to come".
  • This episode marks the returns of The Eyrie and Pentos to the title sequence. Neither location had appeared since in the sequence since Season 1, though the Eyrie was a major location in Season 4. The Eyrie, however, doesn't appear in the actual episode. Scenes in the Vale take place at Runestone.
    • Additionally, a third version of Winterfell appears in the title sequence, no longer smoldering but now bearing the sigil of House Bolton.
    • As the "camera" in the title sequence swings around from Pentos to Slaver's Bay, several locations in the Summer Sea are visible, including the Summer Islands (south of Dorne), Naath, the Basilisk Isles, and the third continent, Sothoryos.
  • The Young Cersei flashback in the Prologue to Season 5 at the beginning of this episode marks the first time that the TV series has ever used a flashback. The novels make extensive use of flashbacks - or rather, characters within their own POV chapters will recall events that happened earlier, through vivid narration (the narrative itself doesn't shift an entire chapter to past events). The unaired pilot episode included several flashbacks, but the showrunners were left with a very negative impression from the experience, feeling that the use of flashbacks was too confusing for audiences already trying to keep track of several dozen characters in the present.
    • Young Cersei is played by Nell Williams, who worked very hard to copy Lena Headey's mannerisms in order to portray a younger version of the same character. As Williams explained to MTV.com, she had never seen the TV series before (due to her age), and after arriving for filming tried to start reading the novels, but quickly abandoned it (given their length it was drastically disproportionate to the specific and short scene she needed to play). Instead, she focused on closely studying all of Lena Headey's previous scenes in the past four seasons of the TV series. As Williams said, "I got the accent quite quickly, but what was quite difficult was finding out what made her. She's obviously very nasty; extremely nasty. Because I was playing her when she was younger - she couldn't always be horrible. She could be a bit stuck up when she's younger, but I think the importance of this scene is making sure the audience knows how she became the person she is. And that was really interesting to do. So I just had to find out as much as I possibly could about her." Williams also explained that even though her scene was only a little over four minutes long, it took about two weeks of on and off filming to produce. Filming on Game of Thrones is more like filming a movie, with hours of extensive preparation to arrange the set, position the lighting, etc., so they only actually filmed a minute or so at a time each day (and filmed multiple takes of the same minute).[1]
  • The opening Prologue sequence takes place when Cersei is a young teenager, which based on her current age in the TV series puts it about 25 years ago, before Robert's Rebellion.[2] Therefore when Cersei says that she was promised to marry "the prince," she is referring to Crown Prince Rhaegar Targaryen, then-current heir to the throne (and Daenerys's older brother, though she was born a few months after Rhaegar later died). Cersei's father Tywin had been Hand of the King for nearly twenty years at the time of the flashback, and hoped that his only daughter would marry the heir to the throne. However, in his growing paranoia the Mad King snubbed him. Instead, as Oberyn Martell summarized in the Season 4 premiere "Two Swords," Rhaegar married Elia Martell, with whom he had two small children - but Rhaegar later made off with Lyanna Stark, Eddard Stark's sister, even though she was betrothed to Eddard's friend Robert Baratheon. This sparked Robert's Rebellion, by the end of which the Mad King, Rhaegar, Elia and her children were dead, along with Lyanna. With Rhaegar dead and Robert king, Tywin made Cersei marry Robert to secure a political alliance with the new ruler, and ensure that there would be a Lannister queen in the Red Keep. Cersei didn't identify Rhaegar by name, of course, leading to her initial confusion when told that she would not marry "the prince" but would marry "the king" - she assumed that meant when Rhaegar succeeded his father, not future king Robert Baratheon.
    • The Prologue takes place about five years before Robert's Rebellion began, and Cersei is roughly 15 or so in the flashback (the actress playing her is 16 years old, but Cersei's age when she met Maggy isn't stated, so give or take a year or two). Jaime is her twin and the same age, and Jaime was named to the Kingsguard at 17 (the TV series has been inconsistent and at other points said he was 16). Tywin's relationship with King Aerys soured when he snubbed the marriage pact between Cersei and Rhaegar, and the last straw was when Jaime was appointed to the Kingsguard - normally a great honor, but robbing Tywin of his eldest son and heir, because Kingsguard forswear any inheritance. When Jaime was named to the Kingsguard at 17, Tywin resigned his position as Hand in disgust. Robert's Rebellion began a little over a year after that, and ended when Cersei and Jaime were both 19 years old.
  • In Season 1, the TV series invented the detail that Cersei actually did have a son by Robert, before Joffrey was born, but that he died in infancy - back in the earliest days of their marriage when she was willing to at least give their relationship a chance. In the novels, Cersei actively avoided ever getting pregnant by Robert, to the point that the one time she did, she secretly had an abortion. The prophecy that she would have no children by Robert therefore doesn't seem to take this into account. There have been subsequent points in the TV series when Cersei also described Joffrey as her "eldest" son. However, infant mortality is high in the medieval society of Westeros, and even in the novels it is not unusual for people to simply not include babies who died in the cradle in the count of children they have had.
    • Writer Bryan Cogman was directly asked about this, and he confirmed that Cersei's black-haired son with Robert simply isn't included in her "official" count of children because he died in the cradle: "Maggy’s just speaking of the three official kids who lived and were known, etc. The black haired baby was kept quiet."[3]
    • In the novels, Maggy the witch actually said that Robert would have 16 bastards, though not all have been identified and it isn't clear how many are still alive. The TV series apparently just rounded up to "twenty" or so bastards. Even Varys, through his spy network, only claimed to know of eight. Barra is the only who was reported to be killed in the massacre in King's Landing after Joffrey was crowned (which Cersei, not Joffrey, ordered in the books). In the novels there are three confirmed surviving bastards: Gendry, Edric Storm, and Mya Stone, though this may have been condensed so that Gendry is Robert's only surviving bastard at this point in the TV series.
  • Another point of inconsistency in this episode is Cersei berating Jaime for joining the Kingsguard against their father's wishes. According to Jaime's perspective in Robert's Rebellion (Histories & Lore), it was Cersei who manipulated Jaime into joining the Kingsguard so that the two of them could be together; but then again Cersei does have a tendency to forget her own faults and throw blame around at everyone else.
  • Charles Dance returns in this episode to "play" the corpse of Tywin Lannister, just as Jack Gleeson returned in "Breaker of Chains" - the episode after his character died - in order to "play" his corpse.
    • Tywin's corpse appears with stones over his eyes, which have paintings of eyes on them. This is apparently a common Funeral custom in Westeros, and has actually been seen throughout the series, indeed Jon Arryn's funeral in the very first episode, "Winter Is Coming." That was also the very first scene that Jaime and Cersei appeared in, and in several ways it mirrors the scene in this episode: both scenes involved Jaime and Cersei in King's Landing, observing a corpse as it lies in state at a funeral, while they discuss their father. The stones over a corpses's eyes were also later seen at the funeral of Hoster Tully ("Walk of Punishment"), and of Joffrey ("Breaker of Chains").
    • Similarly, notice the seven vases next to Tywin's corpse: this was also seen at the previous public funerals of Jon Arryn, Hoster Tully, and Joffrey. From Pycelle's remarks at Tywin's funeral in the book version, it is common practice in southern Westeros (at least among great noble families that can afford the process) to embalm bodies during funeral rites, a process which includes removing several of the major organs and storing them in vases buried alongside the body (organs which would make the rest of the body rot much more quickly if they were left in; their removal is somewhat akin to Egyptian mummification practices). Specific details of funeral rites, however, even in two regions that both follow the Faith of the Seven, can vary from one family to the next (i.e., the Tullys use the eye-stones and organ removal, only to then burn the corpse on a funeral pyre set adrift in the Trident River).
    • Like when Joffrey's corpse was laid in state in the Great Sept, Tywin's body is laid so that his head is pointing to the large statue of the Stranger, the aspect of the Seven-in-One God that represents death. The vases containing his removed organs are also put on the same side of the table, facing the Stranger.
  • Loras Tyrell struggles to find something nice to say about Tywin at his funeral, only able to say that he was "a force to be reckoned with" and "formidable," before then cycling back to saying he was "a force to be reckoned with" - instead of other virtues such as wise, honorable, kind, just, etc. This is similar to a slightly different moment from the books: when Joffrey died, the only positive thing that the Kingsguard Arys Oakheart could find to say about him was that he was of above average height for a boy his age.
  • Kevan Lannister and his son Lancel return in this episode, who first appeared in Season 1 but have not been seen since near the end of Season 2, with the episode "Blackwater".
    • Lancel's absence is explainable, as in the books the arrow wound he took at the Battle of the Blackwater developed a life-threatening infection, and he spent all of the time between then and Tywin's death half-alive in sickbed, only really regaining the ability to walk under his own power by Tywin's funeral (earlier in the novels he was briefly carried out to Joffrey's wedding). This near-death experience caused Lancel to believe that the Seven must have spared him for a reason: to atone for his earlier sins. Kevan, however, apparently did not reappear in Seasons 3 and 4 because the actor was unavailable, though he was present at all of Tywin's councils in corresponding sections of the novels.Cersei remarks in dialogue to Lancel that his wounds from the Blackwater seem to have finally healed, acknowledging that this is why he has been absent since Season 2 ended.
    • This is actually the first time that Lancel and his father Kevan have ever been in the same scene together. Lancel was at King's Landing in Seasons 1 and 2, but Kevan only arrived there in the Season 2 finale, after Lancel was wounded and did not reappear because his injuries were being tended to, after which neither character appeared for two TV seasons.
    • Actor Eugene Simon (Lancel) explained that the scene was slightly tweaked in the editing room to emphasize that Kevan doesn't approve of what Lancel is doing. As they filmed it, Lancel walks up to Cersei, offers his sympathies, leaves, and then Kevan walks up to Cersei and says he apologizes for his son's appearance. In editing they changed the order of the shots, so that Lancel is shown walking away after Kevan says this, to convey that he says it to Lancel's face (though he is off-camera). As Simon said, "They swapped it around, to show that Lancel's relationship with his father is one of disappointment and rejection."[4]
    • Lancel describes his prior sexual encounters with Cersei as "unnatural." Similarly, in Season 2's episode "The Ghost of Harrenhal," Tyrion mocked Lancel by pondering if Jaime would kill him for having sex with Cersei, or if he would sympathize with him due to having similar "unnatural" urges. Sex between first cousins, however, actually is not considered incest in the Seven Kingdoms. Tywin himself married his first cousin, Joanna Lannister, and it is fairly common among the nobility. The comments about Cersei's "unnatural" relationships could be alternately interpreted in the sense that they were "adultery," given that she was a married woman - though this probably wasn't the writers' intent.
    • Lancel's claim that he tempted Cersei and "led her into the darkness" is ridiculous: Cersei is the one who tempted and corrupted him, not the other way around (she does not deny that, when Kevan blames her). As for Robert's death: Lancel is to blame for his part, but Cersei is much more responsible, for the whole idea was hers, and Lancel was her henchman.
  • In the novels, the religious protest movement known as "the Sparrows" that Lancel joined were gradually introduced in preceding books - not necessarily called "the Sparrows," but precursors such as mounting widespread anger and disgust at the suffering of the commoners caused by the war the Lannisters started. Much of Arya and Brienne's storylines involved their wanderings through the Riverlands, witnessing the vast devastation inflicted upon the region - but most of these were omitted for time in the TV series. More discontent was also seen among the poor masses of King's Landing - though at least part of that was shown, such in Season 2's episode "The Ghost of Harrenhal" when Tyrion and Bronn see a street preacher declaring to an angry mob that Joffrey is a rotten king, a product of incest, and the high lords have forgotten the gods. This also culminated later during Season 2 in the Riot of King's Landing. These subplots, however, were condensed for the TV series, so the Sparrows suddenly appear now. Kevan, however, offers the explanation that the Sparrows were active in the countryside for some time, just "off-screen," and that they simply haven't been seen in King's Landing before this point because they were wary of directly confronting Tywin.
  • Ever since Jeor Mormont died in Season 3's episode "And Now His Watch Is Ended," the office of Lord Commander of the Night's Watch has been vacant. Samwell returned to Castle Black in the Season 3 finale and informed the garrison of Mormont's death, so starting in the Season 4 premiere, Ser Alliser Thorne has been serving as acting Lord Commander. It was mentioned, however, back in Season 4 episode "Oathkeeper," that a formal election for a new Lord Commander (known as a "Choosing") would need to be held as soon as the immediate danger from Mance Rayder's wildling horde had passed.
  • Stannis says that if the wildlings agree to fight for him, he will let them settle south of the Wall and be "citizens" of the realm. In the novels, the Seven Kingdoms are not a modern "nation-state," and people in it are not described as "citizens," but more often as "subjects."
  • While the episode did not specifically state it in as many words, Mance Rayder was not simply executed for being the leader of the wildlings, but because he deserted from the Night's Watch many years ago, and the penalty for desertion from the Watch is death. Gilly reminds Samwell of this during their scene in the courtyard, and recall that the first episode of the TV series, "Winter Is Coming," began with Eddard Stark executing a deserter from the Night's Watch. This is why the Night's Watch doesn't attempt to outright prevent Stannis from killing Mance (and indeed, some of the Night's Watch officers openly wanted to execute Mance for his past desertion). Mance was born a wildling, but as an infant he was left orphaned when the wildling raiding band he was with were killed fighting the Night's Watch, but the scouts took pity on him and brought him back to the Wall to raise as a black brother. He struggled with his dual identity as he grew up and chafed under the Watch's restrictions, and eventually fled back north to return to his own people. Qhorin explained back in Season 2 that Mance was once a member of the Night's Watch, as did Mance himself in Season 3, and in this episode he does mention that Castle Black itself was his home for many years. That Mance would be executed at all is therefore not unusual, given that he famously deserted from the Watch, though the manner of his execution by Stannis and Melisandre - burned alive at the stake, to honor the Lord of Light - is considered very unusual and horrific in Westeros.
  • This episode marks the first time that the names of Daenerys's dragons Viserion and Rhaegal have been stated on-screen, while Drogon's name had only been spoken for the first time in the previous episode. Drogon is referred to again by name in this episode. Prior to Season 4, the dragons' names appeared nowhere in the TV continuity - the writers insisted in interviews that their names were the same as in the novels, but it was just difficult to work their names into casual conversation. During Season 4 they were at least identified by name in the HBO Viewer's Guide, but only Drogon was actually referred to by name in dialogue. In the beginning of the second novel, soon after the dragons hatch, Daenerys specifically names all of them in honor of the important men in her life: "Rhaegal" for Rhaegar (her older brother who died before she was born, last great champion of House Targaryen), and "Viserion" for her brother Viserys. Daenerys noted that Viserys was weak and cruel in life but also alone and afraid in exile, and he was still her brother, so she hoped the dragon she named after him would have the success he could not in life. Daenerys does not explain after whom she named Drogon, but it is obvious - her late husband Khal Drogo.
  • The extra details about his backstory that Daario Naharis gives were invented for the TV show: all that is said about his background in the novels is that he is a mercenary from the Free City of Tyrosh. In the TV series, Daario explains that his mother was a whore who sold him to a slaver at age 12, who sold him to the fighting pits in Tolos, but he was a very good gladiator, rose to great fame, eventually earned his freedom and then became a mercenary. This does not mean that Daario is "from" Tolos, originally or ethnically, just that he lived there for some years (similarly, Daenerys lived in Pentos for a time, but it wasn't her ultimate origin). Notably, Daario says that his prostitute mother grew to drink a lot of pear brandy. He doesn't mention Tyrosh by name in this scene, but Tyrosh is actually famous for its local pear brandy, thus indicating that as a child with his mother he was originally from Tyrosh.
  • This is the first time that the Free City of Norvos has been mentioned in the TV series (other than briefly in the Histories & Lore Blu-ray animated featurettes). Daario says that he was trained to fight like a Dothraki screamer, a Norvoshi priest, and a Westerosi knight. Norvos is ruled by an order of warrior-priests, who specialize in fighting with axes.
  • This is the first time that Tolos has been mentioned in the TV series. It is one of the three surviving cities on the fringes of the Valyrian Peninsula, located between the Free Cities and Slaver's Bay. The three great cities Astapor, Yunkai, and Meereen are considered the heart of "Slaver's Bay" and are located on its eastern shores, but Tolos is located on the northwestern shore of the same bay. The Valyrian Peninsula was devastated in the Doom of Valyria and few major cities in the area survived. Mantarys (mentioned in the Season 4 finale) up in the mountains became very isolated, a city of assassin and poisoners. Tolos and Elyria (now an island city), however, were both located on the coast of Slaver's Bay. They then came into something of an odd cultural position, as while more akin to the Valyrians and their colonies in the Free Cities, they fell into the economic and cultural orbit of the main Ghiscari cities on the other side of Slaver's Bay, and came to be thought of as more of an extension of that region.
  • Birthmark that looks like Dorne.

    In the Sexposition scene between Loras Tyrell and Olyvar, invented for the TV series, Olyvar muses that a birthmark Loras has on his thigh sort of looks like Dorne. The birthmark seen on-screen is of course drawn on with makeup to look quite like Dorne: Sunspear is in the east, the Red Mountains are in the west, and Sandstone is in the south. Olyvar also said that he and Loras should go to Dorne, considering from experience that they would spend a lovely time together. This is an allusion to the fourth season when Olyvar had sex with Prince Oberyn.
  • Michael Slovis directed this episode, and it is also his first time working on the series. Slovis previously worked as the cinematographer on the TV series Breaking Bad. Notably, when Tyrion first arrives in Pentos, the camera switches to a first person perspective, pointing out the air holes of his crate as if looking through Tyrion's eyes. The TV series has rarely (if ever) used a first person camera perspective like this before - but it was a frequently used style in Breaking Bad. When this was pointed out to Slovis in an interview with Vulture.com, however, he said it hadn't occurred to him before, and that the script itself instructed him to film it this way. They achieved it by simply putting a board with holes in it in front of a mobile camera, then walking around with it.[5] Writers Benioff and Weiss, however, have said that they are avid fans of Breaking Bad, so the similarity may have been intentional on their part.[6]
  • According to the Blu-ray commentary, during the opening flashback, the way that Maggy the witch first appears sitting down out of the shadows is a visual homage to how Colonel Kurtz first appeared in his lair in the film Apocalypse Now.[7]
  • The scene of Mance being burned wasn't CGI flames, but the old fashioned camera trick of filming with a long lens and a fire bar filmed at an angle, to hide the fact that the actor isn't actually standing near the flames. When his corpse actually catches fire the camera angle shifts, at which point they switch to just using a dummy set on fire.[8]
  • Brienne's rude and impatient attitude toward Pod is somewhat similar to the manner Ser Duncan the Tall treated Egg, before learning the latter's true identity (except that Brienne never threatens to hit Pod if he becomes sloppy, as Duncan often did). This is perhaps a reference to the fan theory that Brienne is Duncan's descendant.

图片册

  1. [1]
  2. Jaime and Cersei are twins and thus the same age, and one year ago in Season 4 Jaime was said to be 40 (though Joffrey may have been rounding a little). Cersei in the flashback is around 14-15, thus ~40 - ~15 = around 25 years ago, give or take a year or two.
  3. [2]
  4. [3]
  5. [4]
  6. [5]
  7. Season 5 Blu-ray commentary
  8. Season 5 Blu-ray commentary
Advertisement